Evaluation of gone with the wind

Gone with the wind movie essay

For a man who eschews and follows causes with equal lack of motivation, Rhett becomes, at last, the firm, principled father figure the book has been searching for when he decides, after all this, that Scarlett is just too flighty for his taste. That would merely detract from the story. Overlooked is the fact this much-beloved novel is marred by easy, simplistic regionalism; anti-black bias; sentimentality; and shallow characters operating in shallow history. Some have admittedly emulated Margaret Mitchell, others seem unaware of their debt. In Gone With the Wind, perhaps not unexpectedly, the Yankees are all bad. But it matters if the complexity and spirit of an era are distorted deliberately for the purpose of proving a point dear to the chamber of commerce. Regionalism Patriotism, as Samuel Johnson said, is the last refuge of scoundrels. It was boredom that caused year-old Margaret Mitchell to write 63 of the most beloved chapters in literary history. She and Mammy walk through them, barely restraining themselves from pushing them out of the way. And everyone recognized that all the South had ever wanted was to be left alone, and that Southerners had never done anyone any harm. Warner liked the story, but Warner Bros. After reaching saturation as a roadshow, MGM revised its terms to a 50 percent cut and halved the prices, before it finally entered general release in at "popular" prices. As to construction, this is about eighty per cent my own, and the rest divided between Jo Swerling and Sidney Howard, with Hecht having contributed materially to the construction of one sequence. Offhand I doubt that there are ten original words of [Oliver] Garrett's in the whole script. As we know, such gestures do not always work.

However, historical relevancy plays a major role when applying the story to a s audience, its values seeded into then-modern audiences. Cinematographers Ernest Haller and Ray Rennahan were the first to win an Oscar for color photography, an award created that year seemingly to celebrate this release.

But you are missing the point, admirers say. Both were well-served by a studio system that pumped out idealized profiles and biographies, but we now know what outlaws they were: Gable, the hard-drinking playboy whose studio covered up his scandals; Leigh, the neurotic, drug-abusing beauty who was the despair of every man who loved her.

Fleming was dissatisfied with the script, so Selznick brought in famed writer Ben Hecht to rewrite the entire screenplay within five days.

Gone with the wind sparknotes

While the real mayor, Ivan Allen Jr. Very nearly every reader will agree, no doubt, that a more disciplined and less prodigal piece of work would have more nearly done justice to the subject-matter. But if it's only a great picture, I'll still be satisfied. A double bill of Hawaiian Nights and Beau Geste was playing, and after the first feature it was announced that the theater would be screening a preview; the audience were informed they could leave but would not be readmitted once the film had begun, nor would phone calls be allowed once the theater had been sealed. The arguments that the film puts forth a historically accurate depiction of African Americans in the South during this time does not justify the lack of dimensionality in these characters, their apparent complicity with their own enslavement, or the romanticism given to the Old South and its slave-owning ways—complete with the juxtaposition of the Confederate flag against an ocean of fall soldiers in a famous scene meant to inspire historical patriotism for the South, an odd notion to be sure. Still, not all Georgia writers of the time toed the chamber of commerce line. Hot feelings pouring over you, driving you to push hard against wiry dark quick breathing little bodies, push hard until they are off the sidewalk. New Haven: Yale University Press, More than any other individual involved, Selznick arranged the talent and creative forces behind this picture and shaped them to his own vision. Warner Bros. Regionalism crowds out deeper insights and substitutes for them its own easy understanding. Atlanta and its region still await those novelists who can do justice to the great, unplumbed topics of the Civil War and civil rights. Still, she sentimentalizes the north Georgia planter aristocracy, giving it much greater wealth and pomp than it actually possessed.

There are many critics today, many of them Southerners, who think the time has passed for such concerns. This trend was less apparent in his early productions, as well as in subsequent years when his control was lost to auteur directors like Alfred Hitchcock and Carol Reed.

Fifty years after first reading the book as a teenager, Sarah Lawson re-read it and shares her impression in 14 essays one for each day of the fortnightcurious as to whether the distance of time and geography — Lawson moved from Indiana to the UK in — had changed her views.

gone with the wind movie sparknotes

Steiner spent twelve weeks working on the score, the longest period that he had ever spent writing one, and at two hours and thirty-six minutes long it was also the longest that he had ever written.

Wallis and Cecil B. Although some of Cukor's scenes were later reshot, Selznick estimated that "three solid reels" of his work remained in the picture.

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Summary of "Gone With the Wind"