Lorenzo di medici
He showed great interest in the architectural projects of his day; this has stimulated a debate on whether he may have been an amateur architect.
Giulianoon the other hand, was regarded as handsome and a "golden boy", and was used as a model by Botticelli in his painting of Mars and Venus. However, a dispute soon arose when the citizens of Volterra realized the real value of the resource and wanted it for their own city, rather than the Florentine bankers assisting them.
Piero di cosimo de medici
The Golden Child Considered to be the child with the most potential, his parents poured their resources into his upbringing. The Renaissance man was the creator himself, and in this time the concept of genius emerged, and Lorenzo did what he could to foster the genius in all those around him. He was known for an environmental instinct that was unknown in that time, accompanied by a deep love of animals. Lorenzo also encouraged the development of humanism through the philosophers and scholars in his inner circle, who worked to reconcile the thought of Plato with Christian thought. The long celebration featured no less than five elaborate banquets, and endless entertainments including orchestras and performances. During battle, Lorenzo was wounded, which prompted him to retire to Tuscany. He was tutored by some of the top thinkers of the day and accomplished some notable achievements—such as winning a jousting tournament—while still a youth. Giuliano , on the other hand, was regarded as handsome and a "golden boy", and was used as a model by Botticelli in his painting of Mars and Venus.
He encouraged the revival of the ancient arts of mosaic and gem-engraving, and he consciously used antiquities to inspire modern artists. Although Lorenzo did not commission many works himself, he helped these artists to secure commissions from other patrons.
The archbishop clumsily accosted the Medici gonfaloniera harsh and suspicious man who immediately had him hanged from a window of the Palazzo Vecchio wearing his episcopal robes. Although Lorenzo himself rarely commissioned work, he often connected artists with other patrons and helped them get commissions.
Later years, death, and legacy[ edit ] Sacra rappresentazione dei santi Giovanni e Paolo "Holy representation of the Saints John and Paul"a work by Lorenzo in the later years During Lorenzo's tenure, several branches of the family bank collapsed because of bad loans, and in later years he got into financial difficulties and resorted to misappropriating trust and state funds.
In his situation it required unusual audacity to present himself before one of the cruelest rulers of the century.
Lorenzo di medici
He is well known for his contribution to the art world by sponsoring artists such as Botticelli and Michelangelo. The young Lorenzo grew up watching his grandfather Cosimo, whom he always tried to surpass in wisdom and cunning. Diplomacy pays off, for once. To this day, his death mask is preserved in the Museo degli Argenti in Palazzo Pitti. Lorenzo was wounded but escaped with minor wounds, in part thanks to the assistance and defense of his friend, the poet Poliziano. Michelangelo lived with Lorenzo and his family for three years, dining at the family table and participating in discussions led by Marsilio Ficino. Alum had been discovered by local citizens of Volterra , who turned to Florence to get backing to exploit this important natural resource. Legend says that in his early childhood, Lorenzo demonstrated unusual intelligence, good taste, curiosity and prodigious memory, all of which was accompanied by a healthy dose of wit, a trait held by many famous Florentines. Bush, who is a distant relative of the Medici clan. In particular, Lorenzo attended the Platonic Academy of Marsilio Ficino, who had a big influence on many elements of Florentine culture. He wrote, "I do not regret this for though many would consider it better to have a part of that sum in their purse, I consider it to have been a great honour to our state, and I think the money was well-expended and I am well-pleased.
Lorenzo's court included artists such as Piero and Antonio del PollaiuoloAndrea del VerrocchioLeonardo da VinciSandro BotticelliDomenico Ghirlandaio and Michelangelo Buonarrotiwho were instrumental in achieving the 15th-century Renaissance.
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